"Under the distant azure sky, golden waves of wheat surged."
"Right there was the place where you and I once loved."
...
"We sang in the fields, longed in the winter."
"But we couldn't wait for this autumn scene beneath the sunlight."
The person singing under the cherry blossom tree outside the train was naturally Wu Mu, who started from the beginning and soon connected with the previous part.
This song, originally warm and soft, became even warmer to the core when sung with the voice that the good ventriloquist had intentionally modulated.
Lin Qingyue was someone who enjoyed pursuing visual aesthetics. That French director's comment about her short film resembling a landscape movie might have been somewhat biased, but it also somewhat revealed her filming habits.
Her movies indeed showcased the most noticeable aspect—the camera shots, every frame, every scene, contained a unique sense of beauty.
